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Tom Riis Farrell

Tom Riis Farrell

5 Films

Tom Riis Farrell

5 Included Films

Tom Riis Farrell photo

Tom Riis Farrell was born in Oceanside, New York. He attended Union College in Schenectady, New York, earning a BA in Theatre in 1981. His first film was Regarding Henry (1991), but he was edited out. Most recently, he appeared off-Broadway in The Resistible Rise of Arturo Ui, starring Al Pacino, Charles Durning, Tony Randall, John Goodman, Steve Buscemi, and Paul Giamatti. Prior to that, he was in the Broadway, San Francisco, Pasadena, and touring productions of Claudia Shear's play "Dirty Blonde," receiving a Helen Hayes Award and a Joseph Jefferson Award nomination for that performance. Other Broadway and Off-Broadway credits include "1776" (Roundabout and Gershwin Theatres); "Wrong Mountain" (Eugene O'Neill Theatre); "Li'l Abner" (Encores! at City Center); and "View of the Dome" (NY Theatre Workshop). Tom shows up in the movies Trust the Man (2005), Marie and Bruce (2004), The Stepford Wives (2004), Almost Famous (2000), Bringing Out the Dead (1999), The Out-of-Towners (1999), The Devil's Advocate (1997) and Sleepless in Seattle (1993). Television work includes Ed (2000), NYPD Blue (1993), Spin City (1996), four episodes of Law & Order (1990) and one of Law & Order: Criminal Intent (2001), as well as the television movies The Love Letter (1998) with Campbell Scott and Jennifer Jason Leigh, and The Deliverance of Elaine (1996) with Mare Winningham, Chris Cooper, and Lloyd Bridges.

UHD Blu-ray
Best English-Friendly:

Sony Columbia Classics Vol 4 4K Blu-ray

Best Video:

Sony Columbia Classics Vol 4 4K Blu-ray

Best English-Friendly:

Sony Columbia Classics Vol 4 4K Blu-ray

Best Video:

Sony Columbia Classics Vol 4 4K Blu-ray

UHD Blu-ray
Best English-Friendly:

Theatrical Cut with unaltered sculpture: Initial DVD

Altered Cut: Shout! Factory 4K Blu-ray

Best Video:

Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".

Altered Cut: Shout! Factory 4K Blu-ray see caps

Best Audio:

Warner Bros Blu-ray 

, Shout! Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)

Additional Info:

DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.

5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.

Audio Comparisons: Slow.pics

For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.

Commentary Comparisons: Slow.pics

Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples

Best English-Friendly:

Theatrical Cut with unaltered sculpture: Initial DVD

Altered Cut: Shout! Factory 4K Blu-ray

Best Video:

Theatrical Cut with unaltered sculpture: Initial DVD with this red message: "The large white sculpture of human forms on the wall of John Milton's penthouse in "The Devil's Advocate" is not connected in any way and was not endorsed by the sculptor Frederick Hart or the Washington National Cathedral, joint copyright owners of the Cathedral sculpture "Ex Nihilo" in Washington D.C.".

Altered Cut: Shout! Factory 4K Blu-ray see caps

Best Audio:

Warner Bros Blu-ray 

, Shout! Factory 4K Blu-ray is more filtered than Warner Bros Blu-ray, although differences may not be audible.
(While the LaserDisc 2.0 is reportedly better clarity in dialogue?)

Additional Info:

DV Plot. For those curious, the sculpture is still the altered one found on the re-issued DVDs, and previous Blu-ray.

5.1 audio on the Shout (either be 1080p or 2160p) was 16-bit, with more roll-off than the Warners one, the Warners was very similar to the NTSC and in terms of balance of the mix, while the Shout seems to be tinkered with, with the score at the beginning and at the end sounding worse on Shout.

Audio Comparisons: Slow.pics

For the regular commentary found on the NTSC DVD "Original Version" (there's no difference including the other NTSC DVD), Shout or Warners; the Shout commentary was just a bloated lossy transcode with some EQ. The best one was from either of the two DVDs.

Commentary Comparisons: Slow.pics

Now there's another commentary; it's basically the same commentary but has some parts different than the others, it can be found on EUR PAL DVD with subs for said commentary. The subs for it doesn't sync for the commentary #1 and vice-versa. Samples

UHD Blu-ray
Best English-Friendly:

Paramount 4K Blu-ray

Best English-Friendly:

Paramount 4K Blu-ray

Almost Famous poster
Letterboxd
UHD Blu-ray
Best English-Friendly:

UK Sony 4K Blu-ray (HMV Exclusive with both cuts)

Best Video:

UK Sony 4K Blu-ray (HMV Exclusive with both cuts, slightly better encoding than the US Paramount)

Best Audio:

US Paramount is 24 bit compared to Sony's 16 bit

Additional Info:

US Paramount has more extras

Best English-Friendly:

UK Sony 4K Blu-ray (HMV Exclusive with both cuts)

Best Video:

UK Sony 4K Blu-ray (HMV Exclusive with both cuts, slightly better encoding than the US Paramount)

Best Audio:

US Paramount is 24 bit compared to Sony's 16 bit

Additional Info:

US Paramount has more extras

5 films

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